The Complete Short Stories of W. Somerset Maugham: Volume I (East And West)

Description

Bibliographic Details

• Author: W. Somerset Maugham
• Title: The Complete Short Stories of W. Somerset Maugham: Volume I (East And West)
• Publisher: ‎ Doubleday & Company, Inc. (1953)
• Language: ‎ English
• Format: Hardcover – 955 pages
• ISBN-10: N/A
• ISBN-13: N/A‏
• Item Weight: ‎ 2.0 pounds
• Dimensions: ‎ 2.0 x 6.0 x 9.0 inches
• Book Condition: Used – Very Good / Rare – Collectible (may show some minor discoloration on page edges)
• Cover Condition: Very Good / Clean – No Dust Jacket or Slipcase

Synopsis:

This is the first of three volumes of my collected short stories. In my early youth I wrote a number, but they are so immature that I have preferred not to reprint them. A few are in a book that has long remained out of print, a few others are scattered in various magazines. They are best forgotten.

The first of the stories in this collection, Rain, was written in 1920 in Hong Kong, but I had hit upon the idea for it during a journey I took in the South Seas during the winter of 1916.

The last of my stories was written in New York in 1945 from a brief note that I found by chance among my papers and which I made as far back as 1901. I do not expect ever to write another.

About the Author:

William Somerset Maugham was born in Paris in 1874. He spoke French even before he spoke a word of English, a fact to which some critics attribute the purity of his style.

His parents died early and, after an unhappy boyhood, which he recorded poignantly in Of Human Bondage, Maugham became a qualified physician. But writing was his true vocation.

Maugham's masterpiece is generally agreed to be Of Human Bondage, a semiautobiographical novel that deals with the life of the main character Philip Carey, who, like Maugham, was orphaned, and brought up by his pious uncle. Philip's clubfoot causes him endless self-consciousness and embarrassment, echoing Maugham's struggles with his stutter and, as his biographer Ted Morgan notes, his homosexuality.

Two of his later novels were based on historical people: The Moon and Sixpence is about the life of Paul Gauguin; and Cakes and Ale contains what were taken as thinly veiled and unflattering characterizations of the authors Thomas Hardy (who had died two years previously) and Hugh Walpole.

Maugham himself denied any intention of doing this in a long letter to Walpole: "I certainly never intended Alroy Kear to be a portrait of you. He is made up of a dozen people and the greater part of him is myself"—yet in an introduction written for the 1950 Modern Library edition of the work, he plainly states that Walpole was the inspiration for Kear (while denying that Thomas Hardy was the inspiration for the novelist Driffield).

Maugham's last major novel, The Razor's Edge (1944), was a departure for him in many ways. While much of the novel takes place in Europe, its main characters are American, not British. The protagonist is a disillusioned veteran of the First World War who abandons his wealthy friends and lifestyle, traveling to India seeking enlightenment. The story's themes of Eastern mysticism and war-weariness struck a chord with readers during the Second World War. It was adapted into a major motion picture released in 1946, then again in 1984 starring Bill Murray.

Among his short stories, some of the most memorable are those dealing with the lives of Western, mostly British, colonists in the Far East. They typically express the emotional toll the colonists bear by their isolation. "Rain", "Footprints in the Jungle", and "The Outstation" are considered especially notable. "Rain", in particular, which charts the moral disintegration of a missionary attempting to convert prostitute Sadie Thompson, has kept its reputation. It has been adapted as a play and as several films. His The Magician (1908) is based on British occultist Aleister Crowley.

Maugham was one of the most significant travel writers of the inter-war years, and can be compared with contemporaries such as Evelyn Waugh and Freya Stark. His best efforts in this line include The Gentleman in the Parlour, dealing with a journey through Burma, Siam, Cambodia and Vietnam, and On a Chinese Screen, a series of very brief vignettes that might have been sketches for stories left unwritten.

By the time of his death in 1965 Maugham was one of the most commercially successful and gifted writers of the twentieth century, according to Bryan Connon, his biographer; The Times obituarist called Maugham "the most assured English writer of his time", and wrote that "no writer of his generation … graced the world of English letters with more complete or more polished assurance".