The City of Falling Angels by John Berendt

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Bibliographic Details

  • Author: John Berendt
  • Title: The City Of Falling Angels
  • Publisher: ‎ Penguin Press
  • Publication Date: September 2005
  • Language: ‎ English
  • Format: Hardcover – 414 pages
  • ISBN-10: ‎ 1594200580
  • ISBN-13: ‎ 978-1594200588
  • Reading age: ‎ 18 years and up
  • Grade level: ‎ 12 and up
  • Item Weight: ‎ 0.65 lbs.
  • Dimensions: 1.4" x 5.8" x 9.5"
  • Condition: Used – Very Good
  • Dust Jacket Condition: Excellent

Synopsis:

he author of Midnight in the Garden of Good and Evil returns after more than a decade to give us an intimate look at the "magic, mystery, and decadence" of the city of Venice and its inhabitants.

Venice, a city steeped in a thousand years of history, art and architecture, teeters in precarious balance between endurance and decay. Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.

In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.

Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

About the Author:

The son of two writers, John Berendt grew up in Syracuse, New York. He earned a B.A. in English from Harvard University, where he worked on the staff of The Harvard Lampoon. After graduating in 1961, he moved to New York City to pursue a career in publishing. Berendt has written for David Frost and Dick Cavett, was editor of New York magazine from 1977 to 1979, and wrote a monthly column for Esquire from 1982 to 1994.

Berendt first traveled to Savannah in the early 1980s, when he realized that he could fly there for a three-day weekend for the price of “a paillard of veal served on a bed of wilted radicchio” [p. 24] in one of New York’s trendier restaurants. Over the ensuing eight years his visits became more frequent and extended, until he was spending more time in Savannah than in New York.

Part of the appeal, Berendt says, lay in the city’s penchant for morbid gossip: “People in Savannah don’t say, ‘Before leaving the room, Mrs. Jones put on her coat.’ Instead, they say, 'Before leaving the room, Mrs. Jones put on the coat that her third husband gave her before he shot himself in the head.” (Entertainment Weekly, 3/11/94, p. 52)

Since the publication and unprecedented success of Midnight in the Garden of Good and Evil, Berendt has become a Savannah celebrity and was even presented with the key to the city. “I took it down to City Hall one night to see if it would work, but it didn't.” (Syracuse Post Standard, 4/5/1994)

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