Good Harbor by Anita Diamant

Description

Bibliographic Details

• Author: Anita Diamant
• Title: Good Harbor
• Publisher: ‎ Scribner
• Publication Date: October 2, 2001
• Language: ‎ English
• Format: Hardcover – 256 pages
• ISBN-10: ‎ 0743225325
• ISBN-13: ‎ 978-0743225328
• Item Weight: ‎ 1.1 pounds
• Dimensions: ‎1.0" x 6.5" x 9.6"
• Book Condition: Used – Good (minimal water damage on pages / page edges at top and minor damage of two torn pages in book; otherwise in good condition. All pages and spine are intact.)
• Dust Jacket Condition: Good (minimal water damage to top back cover.)

Synopsis:

Anita Diamant, whose rich portrayal of the biblical world of women illuminated her acclaimed international bestseller The Red Tent, now crafts a moving novel of contemporary female friendship.

Good Harbor is the long stretch of Cape Ann beach where two women friends walk and talk, sharing their personal histories and learning life's lessons from each other.

Kathleen Levine, a longtime resident of Gloucester, Massachusetts, is maternal and steady, a devoted children's librarian, a convert to Judaism, and mother to two grown sons. When her serene life is thrown into turmoil by a diagnosis of breast cancer at fifty-nine, painful past secrets emerge and she desperately needs a friend.

Forty-two-year-old Joyce Tabachnik is a sharp-witted freelance writer who is also at a fragile point in her life. She's come to Gloucester to follow her literary aspirations, but realizes that her husband and young daughter are becoming increasingly distant.

Together, Kathleen and Joyce forge a once-in-a-lifetime bond and help each other to confront scars left by old emotional wounds.

About the Author:

Anita Diamant…

In my first novel, THE RED TENT, I re-imagined the culture of biblical women as close, sustaining, and strong despite the fact that, in most ways, they were restricted and vulnerable in body, mind, and spirit. My new book, PERIOD. END OF SENTENCE, takes on women's bodies and freedom in an entirely different way.

When the movie, Period. End of Sentence. won an Oscar in 2019, the film’s producer and founder of The Pad Project, Melissa Berton, told the audience: “A period should end a sentence, not a girl’s education.”

Inspired by the documentary, my collection of essays describes the cultural roots of menstrual injustice and how it erodes self-esteem, limits opportunities and even threatens lives. But the also book celebrates a new generation of activists and innovators working to end period poverty and stigma, and also explores the emerging world of period products, advertising, activism art, and comedy.

When I was a child, the public library on Osborne Terrace in Newark, New Jersey, was one of the first places I was allowed to walk to all by myself. I went every week, and I can still draw a map of the children's room, up a flight of stairs, where the Louisa May Alcott books were arranged to the left as you entered.

Nonfiction, near the middle of the room, was loaded with biographies. I read several about Eleanor and Franklin Roosevelt, Marie Curie, Amelia Earhart, and Helen Keller, with whom I share a birthday.

But by the time I was 11, the children's library was starting to feel confining, so I snuck downstairs to the adult stacks for a copy of The Good Earth. (I had overheard a grown-up conversation about the book and it sounded interesting.)The librarian at the desk glanced at the title and said I wasn't old enough for the novel and furthermore my card only entitled me to take out children's books.

I defended my choice. I said my parents had given me permission, which was only half a fib since my mother and father had never denied me any book. Eventually, the librarian relented and I walked home, triumphant. I had access to the BIG LIBRARY. My world would never be the same.