Day After Night by Anita Diamant

Description

Bibliographic Details

• Author: Anita Diamant
• Title: Day After Night
• Publisher: ‎ Scribner; First Scribner Hardcover Edition (September 8, 2009)
• Language: ‎ English
• Format: Hardcover – 294 pages
• ISBN-10: ‎ 0743299841
• ISBN-13: ‎ 978-0743299848
• Item Weight: ‎ 1.10 pounds
• Dimensions: ‎ 6.5 x 1.25 x 9.8 inches
• Book Condition: Used – Very Good (minimal discoloration on page edges)
• Dust Jacket Condition: Very Good
• First Scribner Hardcover Edition

Synopsis:

Day After Night is based on the extraordinary true story of the October 1945 rescue of more than two hundred prisoners from the Atlit internment camp, a prison for "illegal" immigrants run by the British military near the Mediterranean coast north of Haifa.

The story is told through the eyes of four young women at the camp with profoundly different stories. All of them survived the Holocaust: Shayndel, a Polish Zionist; Leonie, a Parisian beauty; Tedi, a hidden Dutch Jew; and Zorah, a concentration camp survivor.

Haunted by unspeakable memories and losses, afraid to begin to hope, Shayndel, Leonie, Tedi, and Zorah find salvation in the bonds of friendship and shared experience even as they confront the challenge of re-creating themselves in a strange new country.

About the Author:

Anita Diamant…

In my first novel, THE RED TENT, I re-imagined the culture of biblical women as close, sustaining, and strong despite the fact that, in most ways, they were restricted and vulnerable in body, mind, and spirit. My new book, PERIOD. END OF SENTENCE, takes on women's bodies and freedom in an entirely different way.

When the movie, Period. End of Sentence. won an Oscar in 2019, the film’s producer and founder of The Pad Project, Melissa Berton, told the audience: “A period should end a sentence, not a girl’s education.”

Inspired by the documentary, my collection of essays describes the cultural roots of menstrual injustice and how it erodes self-esteem, limits opportunities and even threatens lives. But the also book celebrates a new generation of activists and innovators working to end period poverty and stigma, and also explores the emerging world of period products, advertising, activism art, and comedy.

When I was a child, the public library on Osborne Terrace in Newark, New Jersey, was one of the first places I was allowed to walk to all by myself. I went every week, and I can still draw a map of the children's room, up a flight of stairs, where the Louisa May Alcott books were arranged to the left as you entered.

Nonfiction, near the middle of the room, was loaded with biographies. I read several about Eleanor and Franklin Roosevelt, Marie Curie, Amelia Earhart, and Helen Keller, with whom I share a birthday.

But by the time I was 11, the children's library was starting to feel confining, so I snuck downstairs to the adult stacks for a copy of The Good Earth. (I had overheard a grown-up conversation about the book and it sounded interesting.)The librarian at the desk glanced at the title and said I wasn't old enough for the novel and furthermore my card only entitled me to take out children's books.

I defended my choice. I said my parents had given me permission, which was only half a fib since my mother and father had never denied me any book. Eventually, the librarian relented and I walked home, triumphant. I had access to the BIG LIBRARY. My world would never be the same.